Kay Baker Tunkin - MINMA MARLILU TJUKURRPA KB1746

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Patricia Baker Tunkin Minma Marlilu Tjukurrpa Australian Aboriginal Art Painting on canvas KB1746
Minma Marlilu Tjukurrpa Patricia Baker Tunkin Australian Aboriginal Artwork on canvas KB1746
Aboriginal Art Painting on canvas by Patricia Baker Tunkin Minma Marlilu Tjukurrpa KB1746
Aboriginal Artwork on canvas by Patricia Baker Tunkin Minma Marlilu Tjukurrpa KB1746
Patricia Baker Tunkin Minma Marlilu Tjukurrpa Australian Aboriginal Art Painting on canvas KB1746
Minma Marlilu Tjukurrpa Patricia Baker Tunkin Australian Aboriginal Artwork on canvas KB1746
Aboriginal Art Painting on canvas by Patricia Baker Tunkin Minma Marlilu Tjukurrpa KB1746
Aboriginal Artwork on canvas by Patricia Baker Tunkin Minma Marlilu Tjukurrpa KB1746

PROVENANCE

The provenance of works of fine art is of great significance, especially to their owner. There are a number of reasons why painting provenance is important. A good provenance increases the value of a painting, and establishing provenance may help confirm the date, artist and the subject of a painting. It may confirm whether a painting is genuinely of the period it seems to date from. Documented evidence of provenance for an object can help to establish that it has not been altered and is not a forgery, a reproduction, stolen or looted art. Provenance helps assign the work to a known artist, and a documented history can be of use in helping to prove ownership.

All artworks of our Gallery come with a AAA Gallery Certificate of Authenticity and where possible, working photographs and/or a photo of the artist with the artwork and/or video of an artist in working process of creating an artwork.

CERTIFICATE OF AUTHENTICITY

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Lay-by is a system of paying a deposit to secure an article for later purchase. AAA Gallery offers you a four-month lay-by option on all artworks, allowing you to make regular payments towards that artwork you like.

A 25% initial deposit is required with the balance paid over a maximum of four months.  You will not be penalised if you prefer to pay your purchase sooner. Once you finalise the payments the goods will be dispatched immediately.

If this payment method is chosen when you checkout, we will email you a lay-by agreement to organise first instalment and subsequent the other three equal payments.  

Please contact us if you have any questions.

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Artist: Kay Baker Tunkin
Skin Name: Tunkin
Born: c.1950
Region: Alice Springs
Language: 
Subjects and Themes(Dreaming): Minma Marlilu Tjukurrpa.

 

ABOUT ARTIST

 Kay was born in the early 1950s at Palvwell, a birthing place near Ernabella. She grew up at Ernabella Mission where her father, noted artist Jimmy Baker had first moved to in the early 1930s. She first went to school when she was

about 10 years old. When she was 12, Kay moved back to her mother's country at Mimili (Everard Park) with her family. Her father worked around that area tending sheep, shearing and fencing. In those times, the indigenous families camped in the bush together away from but in the vicinity of the main homestead.

When about 15, Kay moved back to Fregon with the family. This brought together Jimmy's family and that of his cousin, Wipana Jimmy, later to play key roles in the establishment of Kanpi and Watarru. Kay only stayed a short time at Fregon, moving to Yirara Lutheran College in Alice Springs at the time it was established. After a further year or so, Kay moved back to Fregon where she got a job at the Fregon Arts Centre. It was there that she started to learn arts and crafts (primarily batik and basket weaving) from her aunty, Wipana Jimmy. Kay worked at the art centre for about 15 years during which time she met her husband and mothered 5 children including up and coming artists Patricia Tunkin and Teresa Baker.

In 1985, she moved with her father and others to the nascent settlement of Kanpi which, at the time, consisted only of a shed which doubled as a shop and two houses. Since that time, the family has played a key role in the Kanpi and Watarru townships including agitating for the establishment of Tjunga Palya art centre. Today Kay is a Director of the art centre and spends her time between Kanpi, Watarru and Alice Springs.

Kay's style is hard to define as she is adventurous in the palettes she chooses, the subjects she covers and the means by which she applies the paint. What we see is the benefit of an arts background which has combined a grounding in crafts such as basket weaving with that of painting.

Tjukurrpa (culture and ceremonial law) is at the centre of everyday life for anangu (people) living in the Pitjantjatjara Lands. It explains the creation of life and provides a guideline for living life well. There is a strong relationship between this deeply spiritual existence and the creation of art which has integrity, beauty and resonating power.

MORE ARTWORKS BY THE ARTIST

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