Kudditji Kngwarreye - MY COUNTRY KK1694

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Kudditji Kngwarreye My Country Australian Aboriginal Art Painting on canvas KK1694
My Country Kudditji Kngwarreye Australian Aboriginal Artwork on canvas KK1694
Aboriginal Art Painting on canvas by Kudditji Kngwarreye My Country KK1694
Aboriginal Artwork on canvas by Kudditji Kngwarreye My Country KK1694
Kudditji Kngwarreye My Country Australian Aboriginal Art Painting on canvas KK1694
My Country Kudditji Kngwarreye Australian Aboriginal Artwork on canvas KK1694
Aboriginal Art Painting on canvas by Kudditji Kngwarreye My Country KK1694
Aboriginal Artwork on canvas by Kudditji Kngwarreye My Country KK1694

PROVENANCE

The provenance of works of fine art is of great significance, especially to their owner. There are a number of reasons why painting provenance is important. A good provenance increases the value of a painting, and establishing provenance may help confirm the date, artist and the subject of a painting. It may confirm whether a painting is genuinely of the period it seems to date from. Documented evidence of provenance for an object can help to establish that it has not been altered and is not a forgery, a reproduction, stolen or looted art. Provenance helps assign the work to a known artist, and a documented history can be of use in helping to prove ownership.

All artworks of our Gallery come with a AAA Gallery Certificate of Authenticity and where possible, working photographs and/or a photo of the artist with the artwork and/or video of an artist in working process of creating an artwork.

CERTIFICATE OF AUTHENTICITY

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Lay-by is a system of paying a deposit to secure an article for later purchase. AAA Gallery offers you a four-month lay-by option on all artworks, allowing you to make regular payments towards that artwork you like.

A 25% initial deposit is required with the balance paid over a maximum of four months.  You will not be penalised if you prefer to pay your purchase sooner. Once you finalise the payments the goods will be dispatched immediately.

If this payment method is chosen when you checkout, we will email you a lay-by agreement to organise first instalment and subsequent the other three equal payments.  

Please contact us if you have any questions.

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Artist: Kudditji Kngwarreye
Skin Name: Kngwarreye
Born: c. 1928 - 2017
Region: Utopia, Central Australia
Language: Eastern Anmatyerre 
Subjects and Themes(Dreaming): My Country & Emu Dreaming.

 

ABOUT ARTIST

Kudditji Kngwarreye is the youngest half brother to the most famous and highly collectable artist Emily Kame Kngwarreye (who sadly passed away in 1996). Kudditji was born in approximately 1928 and comes from Boundary

Bore in Utopia in Central Australia. He led a traditional lifestyle and upbringing in the Central Australian desert, learning his Dreamings and cultural responsibilities. As a young man he worked as a stockman as did many Aboriginal men who lived on or near pastoral leases in Central Australia. An Anmatyerre man and highly respected elder Kudditji would often take young boys and men hunting emu and merging traditional hunting skills as part of their initiation as men.

He began painting in 1986 and would sell his artwork to many local galleries in Alice Springs. Painting was not a career for him in the early days and it wasn’t until the passing of his sister that he began to paint more frequently. When he first began painting his style was consistent with the times and he would paint detailed artworks depicting Emu Dreaming and Men’s Ceremonial Dreamings. These paintings featured ranks of coloured roundels and other traditional iconography on a chequered or dotted background. From 1990 his paintings took a somewhat radical style using more abstract imagery and bold colours. Initially these were not well received by galleries however Kudditji persevered and eventually received recognition for this new style of painting. He uses a heavily loaded brush and a usually bright palette of colour. The paint sweeps broadly across the canvas with progressive blocks of stippled colour. Kudditji’s paintings reflect a style he has become well known for since 2003 when he began to explore the “dump dot” technique made famous by his sister, Emily Kame Kngwarreye.

 

GROUP EXHIBITIONS

  • 2012 “Kudditji Kngwarreye & Lorna Napurrula Fencer”, Japingka Gallery, Fremantle.
  • 2011 “Kudditji Kngwarreye”, Kate Owen Gallery, Sydney.
  • 2011 “Kudditji Kngwarreye”, Kate Owen Gallery, Sydney.
  • 2010 “Tradition to Modernity”, Central Art – Aboriginal Art Store, Tasmanian Craft Fair, Deloraine.
  • 2010 “Kudditji Kngwarreye”, Kate Owen Gallery, Sydney.
  • 2010 “Summer Collection”, Japingka Gallery, Fremantle.
  • 2009 “Kudditji Kngwarreye: Pastels”, Kate Owen Gallery, Sydney.
  • 2009 “Kudditji Kngwarreye Feature 2”, Central Art – Aboriginal Art Store, Alice Springs.
  • 2009 “Kudditji Kngwarreye – Recent Works”, Japingka Gallery, Fremantle.
  • 2008, “My Country”, Japingka Gallery, Fremantle.
  • 2008, “From the Air”, Fireworks Gallery, Brisbane.
  • 2008, “Blue: A Group Show”, Fireworks Gallery, Brisbane.
  • 2008, “Black & White: Inspired by Landscape”, Kate Owen Gallery, Sydney.
  • 2008, “Kudditji Kngwarrye”, Japingka Gallery, Fremantle.
  • 2008, “Kudditji Kngwarreye Feature”, Central Art – Aboriginal Art Store, Alice Springs.
  • 2008, “30 Emu Dreamings”, Kate Owen Gallery, Sydney.
  • 2006, “New Paintings”, Vivien Anderson Gallery, Melbourne.

 

COLLECTIONS

  • Araluen Arts Centre.
  • Hank Ebes Collection.
  • Macquarie University.
  • R.M. Barokh Antiques.
  • Mbantua Gallery Permanent Collection.

 

SOURCE: Birnberg, M & Kreczmanski, JB 2004, Aboriginal artists dictionary of biographies: Western Desert, Central Desert and Kimberley Region, 1st edn., JB Publishing, Marleston.

This magnificent artwork refers to Kudditji Kngwarreye's ancestral country of Utopia in central Australia. It also interprets men's ceremonial sites and Emu Dreaming. Kudditji is a traditional custodian of this country including Emu Dreaming and is the younger brother of the renowned artist Emily Kame Kngwarreye.

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