George Ward Tjungurrayi - TINGARI CYCLE GW1673

George Ward Tjungurrayi Tingari Cycle Australian Aboriginal Art Painting on canvas GW1673


The provenance of works of fine art is of great significance, especially to their owner. There are a number of reasons why painting provenance is important. A good provenance increases the value of a painting, and establishing provenance may help confirm the date, artist and the subject of a painting. It may confirm whether a painting is genuinely of the period it seems to date from. Documented evidence of provenance for an object can help to establish that it has not been altered and is not a forgery, a reproduction, stolen or looted art. Provenance helps assign the work to a known artist, and a documented history can be of use in helping to prove ownership.

All artworks of our Gallery come with a AAA Gallery Certificate of Authenticity and where possible, working photographs and/or a photo of the artist with the artwork and/or video of an artist in working process of creating an artwork.


Read More

Lay-by is a system of paying a deposit to secure an article for later purchase. AAA Gallery offers you a four-month lay-by option on all artworks, allowing you to make regular payments towards that artwork you like.

A 25% initial deposit is required with the balance paid over a maximum of four months.  You will not be penalised if you prefer to pay your purchase sooner. Once you finalise the payments the goods will be dispatched immediately.

If this payment method is chosen when you checkout, we will email you a lay-by agreement to organise first instalment and subsequent the other three equal payments.  

Please contact us if you have any questions.

Read More

Artist: George Ward Tjungurrayi
Skin Name: Tjungurrayi
Born: c.1945
Region: Kintore
Language: Pintupi
Subjects and Themes(Dreaming): Tingari Dreaming


George Ward Tjungurrayi was born near the site of Lararra, southeast of Kiwirrkura in Western Australia around 1945. George Ward is the youngest of three brothers; the late Yala Yala Gibbs and Willy Tjungurrayi. They are the half brothers as they were all sons of Pulpalpulpalnga Tjapaltjarri but had different mothers. George's father 

died while he was still very young.It was only in his teenage years that he first encountered Europeans, when Jeremy Long's Welfare Branch patrol came upon his family camped by a desert waterhole. In 1960s Gorge relocated to Papunya, an Aboriginal settlement several hours from Alice Springs in Central Australia. He also met and married his wife, the somewhat formidable Nangawarra Ward Napurrula (the daughter of Charlie Ward Tjakamarra), a member of one of the desert's most dominant families. They have two children. Once their first child was born, the couple moved west to Warburton, then on through the ranges to Docker River and to Warakurna. In 1981 George and his family moved to the newly established Pintupi capital of Walungurru (Kintore) which is across the NT border, in the looming shadow of Mount Leisler, where they still spend time today. George observed the work of his brothers Yala Yala and Willy Tjungurrayi, who were among Papunya's Tula's leading artists in Walungurru. In 1984 George Ward first painted on canvas: a handful of elegantly "classical" concentric roundel works from that time survive. After the death of his brother, Yala Yala in 1998, the responsibility to paint fell squarely on Ward's shoulders. By this stage, he was a senior desert man: He lived deep in the world of law. He began to paint in earnest, developing his own distinct style. The canvases he began producing for Alice Springs-based Papunya Tula artists were like nothing else that had come before in the desert art movement: sombre, cerebral, full of grave intellect. The big lake site of Kaakuratintja (Lake Macdonald), which a large group of Tingari men travelled through on their way east, is often the subject of his paintings. His meticulous geometric drawing is often offset by more rapid, shaking dotting to produce a shimmering surface. In 2004 George won the prestigious 2004 Wynne Prize at the Art Gallery of New South Wales. George has also exhibited in many galleries throughout the past decade. Now he has become one of the nation's most admired and most keenly collected artists. 


  • 1998 - Gallery Gabrielle Pizzi, Melbourne, Australia
  • 1997 - Utopia Art, Sydney - Solo show


  • 2004, “Wynne Prize Exhibition”, Art Gallery of New South Wales, Sydney.
  • 2001, “Art of the Pintupi”, Adelaide.
  • 2001, “Kintore and Kiwirrkurra”, Gallery Gabrielle Pizzi, Melbourne.
  • 2001, “Palm Beach Art Fair”, Palm Beach, Florida, USA.
  • 2000, “Pintupi Men”, Papunya Tula Artists, Alice Springs.
  • 2000, “Papunya Tula: Genesis and Genius”, Art Gallery of New South Wales, Sydney.
  • 2000, “Art of the Aborigines”, Leverkusen, Germany.
  • 1999, Araluen Arts Centre, Alice Springs.
  • 1999, “Aboriginal Art”, IHK Worzburg, Germany.
  • 1998, “Desert Mob Show”, Araluen Arts Centre, Alice Springs.
  • 1998, Gallery Gabrielle Pizzi, Melbourne.
  • 1997, Utopia Art, Sydney.
  • 1997, Gallery Gabrielle Pizzi, Melbourne.
  • 1997, Geschichtenbilder, Aboriginal Art Galerie Bohr, Speyer, Germany.
  • 1997, Papunya Tula Artists, Alice Springs.
  • 1996, Araluen Arts Centre, Alice Springs.
  • 1996, “Adelaide Fringe Festival” Papunya Tulal Artists, Adelaide.
  • 1996, Gallery Gabrielle Pizzi, Melbourne.
  • 1996, Museum and Art Gallery of the Northern Territory, Darwin.
  • 1996, “Nangara. The Australian Aboriginal Art Exhibition”, Brugge, Belgium.
  • 1996, Papunya Tula Artists, Alice Springs.
  • 1995, Araluen Arts Centre, Alice Springs.
  • 1995, “Dreamings – Tjukurrpa”, Groninger Museum, The Netherlands.
  • 1995, Museum and Art Gallery of the Northern Territory, Darwin.
  • 1995, Utopia Art, Sydney.
  • 1995, Papunya Tula Artists, Alice Springs.
  • 1991, Araluen Arts Centre, Alice Springs.
  • 1990, “Friendly Country – Friendly People”, Araluen Arts Centre, Alice Springs.


  • 2004, “First Prize”, Wynne Art Award, Art Gallery of New South Wales, Sydney.


  • National Gallery of Victoria.
  • Artbank.
  • Art Gallery of South Australia.
  • Groninger Museum, The Netherlands.
  • Museum of Victoria.
  • Robert Holmes a Court Collection.
  • Supreme Court of the Northern Territory.

SOURCE: Birnberg, M. & Kreczmanski, J.B. (2004) Aboriginal Artists Dictionary of Biographies. Central Desert, Western Desert and Kimberley Region. JB Publishing Australia. Marleston, South Australia.

This artwork represents specific sacred sites located in the artists ancestral country Karrkurritinytja (Lake MacDonald) . These sites, associated with the Tingari cycle are situated along the early journey paths of the Tingari Ancestors which were created throughout the "Tjukurrpa" or dreamtime. Generally, the Tingari are a group of mythical characters of the Dreaming who travelled over vast stretches of the country, performing rituals and creating and shaping particular sites. The Tingari Men were usually followed by Tingari Women and accompanied by novices and their travels and adventures are enshrined in a number of song cycles. These mythologies form part of the teachings of the post initiatory youths today as well as providing explanations for contemporary customs.


Order by: