Lucky Morton Kngwarreye - WILD BUSH FLOWERS LM1702

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Lucky Morton Kngwarreye Wild Bush Flowers Australian Aboriginal Art Painting on canvas LK1702

PROVENANCE

The provenance of works of fine art is of great significance, especially to their owner. There are a number of reasons why painting provenance is important. A good provenance increases the value of a painting, and establishing provenance may help confirm the date, artist and the subject of a painting. It may confirm whether a painting is genuinely of the period it seems to date from. Documented evidence of provenance for an object can help to establish that it has not been altered and is not a forgery, a reproduction, stolen or looted art. Provenance helps assign the work to a known artist, and a documented history can be of use in helping to prove ownership.

All artworks of our Gallery come with a AAA Gallery Certificate of Authenticity and where possible, working photographs and/or a photo of the artist with the artwork and/or video of an artist in working process of creating an artwork.

CERTIFICATE OF AUTHENTICITY

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Artist: Lucky Morton Kngwarreye
Skin Name: Kngwarreye
Born: c.1950
Region: Utopia
Language: Anmatyerre & Alyawarr
Subjects and Themes(Dreaming): Awelye ( womens stories), Tharrkarr (honey Grevillea), Alpeyt (desert flowers), Honey Ant Dreaming (Yerrramp).

 

ABOUT ARTIST

Lucky Morton Kngwarreye Ngwarai was born c. 1950. She is of the Anmatjerra tribe from the Utopia region north-

east of Alice Springs, Northern Territory. She is a member of one of the most famous painting families and associates in Australia the Utopian artists are in the forefront of Australian Aboriginal artists, the most famous being the late Emily Kame Kngwarreye. Along with her contemporaries, Lucky takes her place as an innovative and immensely talented painter.

As a young girl, Lucky attended a bush” school near Hatcher’s Creek north-east of her homelands of Utopia and lived in the country of the MacDonnell Downs Station at the Kurrajong Camp. She attended Bachelor Collect in Alice Springs, and furthered her educated in Darwin.

She began her career in earnest around 1977, participating in group exhibitions with her art, having made the same transition as many of the Utopian artists from batik work. Her early paintings were vividly bright and colourful as she depicted her Traditional stories of women’s body paint, Tharrkarr (honey grevillea) and many desert flowers (Alpeyt) as well as the popular Honey Ant Dreaming (Yerrramp). Lucky paints what she describes as Two Countries”, representative of the regions in which she was born and has lived – Ngkwarlerlanem and Arnkawenyerr. Her recent paintings show a new direction with beautifully fine and intricate overlay of subtle understated colour images. These paintings are a version of the Rainbow Dreaming Boor-la-da. The works are fiercely individual and aesthetically pleasing, well received by a wide audience.

Lucky has an impressive profile of exhibitions and collections. She has exhibited with the best of the Utopian artists world-wide, including her mother the renowned artist Mary Morton Kemarre.

GROUP EXHIBITIONS:

  • 1989• Utopia Women’s Paintings. The First Works on Canvas. A Summer Project, 1988-89, SH Ervin Gallery, Sydney

    1989 1991 Utopia – A Picture Story, Tandanya National Aboriginal Cultural Institute, Adelaide; The Royal Hibernian Academy, Dublin; Limerick City Gallery of Art, Limerick

    1990 • Balance 1990: Views, Visions, Influences, Queensland Art Gallery, Brisbane

    1991 • 8th National Aboriginal Art Award Exhibition, Museum & Art Gallery of the Northern Territory, Darwin
    • Australian Perspective, Art Gallery of New South Wales, Sydney

    1998• Painting from Utopia and Balgo Hills, Aboriginal Art Galerie Bähr, Speyer, Germany

    1999• International Tour, Art Direct Gallery.com, Litsey & Kearney

    2005• Artists of Utopia: Then and Now, Outback Alive, Canberra

    2006• Desert Hues, The Gallery, Canberra

COLLECTIONS:

  • National Gallery of Australia, Canberra 
  • •Powerhouse Museum, Sydney 
  • Queensland Art Gallery, Brisbane
  • Robert Holmes à Court Collection, Perth

AWARDS:

SOURCE: B

The painting represents desert flowers (Alpeyt). Lucky paints the two countries around Utopia which are representative of the region she was born and has lived - Ngkwarlerlanem and Arnkawenyerr in central Australia, where the Aboriginal women gather many parts: flowers, seed, pods, etc for a variety of everyday purposes, as well as, traditional uses for bush medicine and food.

MORE ARTWORKS BY THE ARTIST

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